“A canvas of vividly impressionistic splashes of growing up young, gifted, Black, and female.” ―The Philadelphia Inquirer

In this memoir of perceptions and ideas, renowned feminist intellectual bell hooks presents a stirringly intimate account of growing up in the South. Stitching together the gossamer threads of her girlhood memories, hooks shows us one strong-spirited child’s journey toward becoming a writer. Along the way, hooks sheds light on the vulnerability of children, the special unfurling of female creativity, and the imbalance of a society that confers marriage’s joys upon men and its silences on women. In a world where daughters and daddies are strangers under the same roof, and crying children are often given something to cry about, hooks uncovers the solace to be found in solitude, the comfort to be had in the good company of books.

Bone Black allows us to bear witness to the awakening of a legendary author’s awareness that writing is her most vital breath.

New edition introduced by Yomi Adegoke

“With the emotion of poetry, the narrative of a novel, and the truth of experience, bell hooks weaves a girlhood memoir you won’t be able to put down―or forget. Bone Black takes us into the cave of self-creation.” ―Gloria Steinem

Welcome to Rook Hall.

The stage is set. The players are ready. By night’s end, a murderer will be revealed.

Ex-detective Jackson Brodie is staving off a bad case of midlife malaise when he is called to a sleepy Yorkshire town, and the seemingly tedious matter of a stolen painting. But one theft leads to another, including the disappearance of a valuable Turner from Burton Makepeace, home to Lady Milton and her family. Once a magnificent country house, Burton Makepeace has now partially been converted into a hotel, hosting Murder Mystery weekends.

As paying guests, a vicar, an ex-army officer, impecunious aristocrats, and old friends converge, we are treated a fiendishly clever mystery; one that pays homage to the masters of the genre-from Agatha Christie to Dorothy Sayers.

Brilliantly inventive, with all of Atkinson’s signature wit, wordplay and narrative brio, Death at the Sign of the Rook may be Jackson Brodie’s most outrageous and memorable case yet.

From the gothic, magical halls of the Scholomance trilogy, through the realms next door to Spinning Silver and Uprooted, and the dragon-filled Temeraire series, this stunning collection takes us from fairy tale to fantasy, myth to history, and mystery to science fiction as we travel through Naomi Novik’s most beloved stories. Here, among many others, we encounter…

• A mushroom witch who learns that sometimes the worst thing in the Scholomance can be your roommate.
• The start of the Dragon Corps in ancient Rome, after Mark Antony hatches a dragon’s egg and bonds with the hatchling.
• A young bride in the middle ages who finds herself gambling with Death, for the highest of stakes.
• A delightful reimagining of Pride & Prejudice, in which Elizabeth Bennet captains a Longwing dragon.
• The first glimpse at the world of Abandon, the setting of Novik’s upcoming epic fantasy series-a deserted continent populated only by silent and enigmatic architectural mysteries.

Though the stories are vastly different, there is a unifying theme: wrestling with destiny, and the lengths some will go to find their own and fulfill its promise.

India is the forgotten heart of the ancient world…

For a millennium and a half, India was a confident exporter of its diverse civilisation, creating around it a vast empire of ideas. Indian art, religions, technology, astronomy, music, dance, literature, mathematics and mythology blazed a trail across the world, along a Golden Road that stretched from the Red Sea to the Pacific.

William Dalrymple draws from a lifetime of scholarship to highlight India’s oft-forgotten position as the heart of ancient Eurasia. For the first time, he gives a name to this spread of Indian ideas that transformed the world. From the largest Hindu temple in the world at Angkor Wat to the Buddhism of China, from the trade that helped fund the Roman Empire to the creation of the numerals we use today (including zero), India transformed the culture and technology of its ancient world and our world today as we know it.

When assembling my work, I assembled myself, laid out on an autopsy table (of sorts). And soft meteorites presented itself as three themes – art, death, and friendship.

In soft meteorites Nathan Shepherdson has installed a type of two-way valve that attaches the page to the flesh. Moments are emptied of words then refilled with fresh observations. The pulse quietly excludes standard angles for a free-form geometry that collects spiralling perspectives. He sings inside the silence he listens to. Meditations are a material. Sometimes lean and elegant, almost emaciated. At other times the complexities compound themselves under lingua-thermal pressure, moving very fast, jumping ship like a sailor who doesn’t even know if the ocean is still there. Wry smiles are laid out like the silver-plated cake forks inherited from your grandmother, tattered velvet a warm home for memories used only on special occasions. Memory and Memoriam are primary yet differentiated blocks by which Shepherdson’s body is drawn but not yet quartered. Elastic hands reach into holes that aren’t there to find the ones that are.

The counterbalance is in the mood and gestures Shepherdson creates, which invite and repel the chaos which parades unnoticed in its endless supply of costumes. The question mark, inverted, bristles added to its profiled dome sweeps it all away with thinking. Falling is the secondary purpose of any cliff small or large. Micro-shadows from dust disturbed form answers and shapes for capture and translation before they again settle into nothing.

Short stories from 25 emerging and established writers of Middle Eastern and North African origins, a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world.

“Provocative and subtle, nuanced and surprising, these stories demonstrate how this complicated and rich region might best be approached–through the power of literature.” –Viet Thanh Nguyen, author of The Committed

Stories from the Center of the World gathers new writing from the greater Middle East (or SWANA), a vast region that stretches from Southwest Asia, through the Middle East and Turkey, and across Northern Africa. The 25 authors included here come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco, to name some.

In “Asha and Haaji,” Hanif Kureishi takes up the cause of outsiders who become uprooted when war or disaster strikes and they flee for safe haven. In Nektaria Anastasiadou‘s “The Location of the Soul According to Benyamin Alhadeff,” two students in Istanbul from different classes — and religions that have often been at odds with one another — believe they can overcome all obstacles. MK Harb‘s story, “Counter Strike,” is about queer love among Beiruti adolescents; and Salar Abdoh‘s “The Long Walk of the Martyrs” invites us into the world of former militants, fighters who fought ISIS or Daesh in Iraq and Syria, who are having a hard time readjusting to civilian life. In “Eleazar,” Karim Kattan tells an unexpected Palestinian story in which the usual antagonists — Israeli occupation forces — are mostly absent, while another malevolent force seems to overtake an unsuspecting family. Omar El Akkad‘s “The Icarist” is a coming-of-age story about the underworld in which illegal immigrants are forced to live, and what happens when one dares to break away.

Contributors include: Salar Abdoh, Leila Aboulela, Farah Ahamed, Omar El Akkad, Sarah AlKahly-Mills, Nektaria Anastasiadou, Amany Kamal Eldin, Jordan Elgrably, Omar Foda, May Haddad, Danial Haghighi, Malu Halasa, MK Harb, Alireza Iranmehr, Karim Kattan, Hanif Kureishi, Ahmed Salah Al-Mahdi, Diary Marif, Tariq Mehmood, Sahar Mustafah, Mohammed Al-Naas, Ahmed Naji, Mai Al-Nakib, Abdellah Taia, and Natasha Tynes…

Shortlisted for the Fogarty Literary Award, this is a confronting and compelling read from the very first chapter.

When Briony first meets Ren, he is standing in the freezing sea at the edge of their tiny town.

Ren hasn’t been home for a decade but has returned to be with his dying father.

Briony won’t leave, hoping that Sarah, her missing sister, will one day reappear.

But Sarah and her friend Aria have been stranded on a desolate island far off the coast. The longer they’re trapped there, the less alone they seem.

How many secrets in this town have been swallowed by the brooding sea?

A millennial-turned-magical girl must combat climate change and credit card debt in this delightful, witty, and wildly imaginative ode to magical girl manga.

Twenty-nine, depressed, and drowning in credit card debt after losing her job during the pandemic, a millennial woman decides to end her troubles by jumping off Seoul’s Mapo Bridge.

But her suicide attempt is interrupted by a girl dressed all in white—her guardian angel. Ah Roa is a clairvoyant magical girl on a mission to find the greatest magical girl of all time. And our protagonist just may be that special someone.

But the young woman’s initial excitement turns to frustration when she learns being a magical girl in real life is much different than how it’s portrayed in stories. It isn’t just destiny—it’s work. Magical girls go to job fairs, join trade unions, attend classes. And for this magical girl there are no special powers and no great perks, and despite being magical, she still battles with low self-esteem. Her magic wand… is a credit card—which she must use to defeat a terrifying threat that isn’t a monster or an intergalactic war. It’s global climate change. Because magical girls need to think about sustainability, too.

Park Seolyeon reimagines classic fantasy tropes in a novel that explores real-world challenges that are both deeply personal and universal: the search for meaning and the desire to do good in a world that feels like it’s ending. A fun, fast-paced, and enchanting narrative that sparkles thanks to award-nominated translator Anton Hur, A Magical Girl Retires reminds us that we are all magical girls—that fighting evil by moonlight and winning love by daylight can be anyone’s game.

Almost everyone thinks they have one, but nobody knows what it is.

For thousands of years the soul was an ‘organ’, an entity, something that was part of all of us, that survived the death of the body and ventured to the underworld, or to heaven or hell.

The soul could be saved, condemned, tortured, bought.

And then, mysteriously, the ‘soul’ disappeared. The Enlightenment called it the ‘mind’. And today, neuroscientists demonstrate that the mind is the creation of the brain.

The ‘religious soul’ lives on, in the minds of the faithful, while the secular ‘soul’ means whatever you want it to mean.

In The Soul: A History of the Human Mind critically acclaimed historian Paul Ham embarks on a journey that has never been attempted- to restore the idea of the soul to the human story and to show how belief in, and beliefs arising from, the soul/mind have animated and driven the history of humankind.

The Soul is much more than a mesmerizing narrative and uniquely accessible way of explaining our story. It transforms our understanding of how history works. It persuasively demonstrates that the beliefs of the soul/mind are the engines of human history.

Imagine: it’s 1600 and you’ve lost your precious silver spoons – or perhaps your neighbour has stolen them. Or maybe your child has a fever. Or you’re facing trial. Or you’re looking for love. Or you’re hoping to escape a husband… What do you do?

In medieval and early modern Europe, your first port of call might very well have been cunning folk – practitioners of ‘service magic’. Neither feared (like witches), nor venerated (like saints), they were essential to everyday life, a ubiquitous presence in a time when the supernatural was surprisingly mundane. For people from all walks of life, practical magic was a cherished resource with which to navigate life’s many challenges.

In Tabitha Stanmore’s beguiling account, we meet lovelorn widows and dissolute nobles, selfless healers and renegade monks. We listen in on Queen Elizabeth I’s astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in bewildering times, buffeted by forces beyond their control; and as Stanmore reveals, their faith in magic has much to teach us about how we accommodate ourselves to the irrational in our allegedly enlightened lives today.

Told with warmth, wit and above all, empathy, these stories take us deep into people’s day-to-day lives- their hopes and desires, their fears and vulnerabilities. Charming in every sense of the word, Cunning Folk is an immersive reconstruction of a bygone world and a thought-provoking commentary on the beauty and bafflement of being human.