This is the story of a wall that somehow chose me as the witness of what it said and did.

Nasser Abu Srour grew up in a refugee camp in the West Bank, on the outskirts of Bethlehem. As a child, he played in its shadow and explored the little world within the camp. As he grew older, he began questioning the boundaries that limited his existence. Later, sentenced to life in prison, with no hope of parole, he found himself surrounded by a physical wall.

This is the story of how, over thirty years in captivity, he crafted a new definition of freedom. Turning to writings by philosophers as varied as Derrida, Kirkegaard and Freud, he begins to let go of freedom as a question that demanded an answer, in order to preserve it as a dream. The wall becomes his stable point of reference, his anchor, both physically and psychologically.

As each year brings with it new waves of releases of prisoners, he dares to hope, and seeks refuge in the wall when these hopes are dashed. And, in a small miracle, he finds love with a lawyer from the outside – while in her absence, the wall is his solace and his curse.

A testimony of how the most difficult of circumstances can build a person up instead of tearing them down, The Tale of a Wall is an extraordinary record of the vast confinement and power of the mind.

‘A storm is approaching Nineveh, the sky swollen with impending rain. One of the clouds approaching the world’s largest and wealthiest city, built on the banks of the river Tigris, is bigger and darker than the others-and more impatient. It floats suspended above a majestic building adorned with marble columns, pillared porticos and monumental statues. This is the North Palace, where the king resides in all his might and glory. The cloud casts a shadow over the imperial residence. For unlike humans, water has no regard for social status or royal titles.

Dangling from the edge of the cloud is a single drop of rain – no bigger than a bean and lighter than a chickpea. For a while it quivers precariously – small, spherical and scared. How frightening it is to observe the earth open down below like a lonely lotus flower.

Remember that raindrop, inconsequential though it may be compared to the magnitude of the universe. Inside, it holds a miniature world, a story of its own…’

This is the story of one lost poem, two great rivers, and three remarkable lives – all connected by a single drop of water.

In the ruins of Nineveh, that ancient city of Mesopotamia, there lies hidden in the sand fragments of a long-forgotten poem, the Epic of Gilgamesh.

In Victorian London, an extraordinary child is born at the edge of the dirt-black Thames. Arthur’s only chance of escaping poverty is his brilliant memory. When his gift earns him a spot as an apprentice at a printing press, Arthur’s world opens up far beyond the slums, with one book soon sending him across the seas: Nineveh and Its Remains.

In 2014 Turkey, Narin, a Yazidi girl living by the River Tigris, waits to be baptised with water brought from the holy sit of Lalish in Iraq. The ceremony is cruelly interrupted, and soon Narin and her grandmother must journey across war-torn lands in the hope of reaching the sacred valley of their people.

In 2018 London, broken-hearted Zaleekhah, a hydrologist, moves to a houseboat on the Thames to escape the wreckage of her marriage. Zaleekhah foresees a life drained of all love and meaning – until an unexpected connection to her homeland changes everything.

‘I read Mina’s Matchbox like a besotted child, enraptured, never wanting it to end.’ RUTH OZEKI, author of The Book of Form and Emptiness

On sleepless nights, I open the matchbox and reread the story of the girl who gathered shooting stars.

After the death of her father, twelve-year-old Tomoko is sent to live for a year with her uncle in the coastal town of Ashiya. It is a year which will change her life.

The 1970s are bringing changes to Japan and her uncle’s magnificent colonial mansion opens up a new and unfamiliar world for Tomoko; its sprawling gardens are even home to a pygmy hippo the family keeps as a pet. Tomoko finds her relatives equally exotic and beguiling and her growing friendship with her cousin Mina draws her into an intoxicating world full of secret crushes and elaborate storytelling.

Rich with the magic and mystery of youth, Mina’s Matchbox is an evocative snapshot of a moment frozen in time, and a striking depiction of a family on the edge of collapse.

The dramatic history of a massacre in Damascus, and the collapse of the old Ottoman world order.

This remarkable book recreates one of the watershed moments in the history of the Middle East- the ferocious outbreaks of disorder across the Levant in 1860 which resulted in the massacre of thousands of Christians in Damascus.

Eugene Rogan brilliantly recreates the lost world of the Middle East under Ottoman rule. The once mighty empire was under pressure from global economic change and European imperial expansion. Reforms in the mid-nineteenth century raised tensions across the empire, nowhere more so than in Damascus. A multifarious city linked by caravan trade to Baghdad, the Mediterranean and Mecca, the chaos of languages, customs and beliefs made Damascus a warily tolerant place. Until the reforms began to advantage the minority Christian community at the expense of the Muslim majority.

But in 1860 people who had generally lived side by side for generations became bitter enemies as news of civil war in Mount Lebanon arrived in the city. Under the threat of a French expeditionary force, the Ottomans dealt with the disaster effectively and ruthlessly – but the old, generally quite tolerant Damascene world lay in ruins. It would take a quarter of a century to restore stability and prosperity to the Syrian capital.

This is both an essential book for understanding the emergence of the modern Middle East from the destruction of the old Ottoman world, and a uniquely gripping story.

This fresh and engaging, illustrated history of art explains the fundamentals every art lover needs while presenting the development of different schools and styles as one continuous, astonishing timeline— from Giotto to Leonardo, Frida to Banksy.

When she became interested in painting, the author would visit museums and wonder about all the information she was missing. How did one style develop after another? What meanings were hidden in these works? What were these artists’ lives like? How did their works survive for so many years? She longed for the kind of essential knowledge that would enable her to decode a painting loaded with references. The result of her curiosity is a highly accessible and vividly illustrated book that brings together the fundamentals of eight centuries of art. It covers the basics about such topics as how museums are structured, how painters use proportion and perspective, the anatomy of a painting.
Jouneaux offers surprising comparisons between artists such as Sandro Botticelli and Mary Cassatt, Claude Monet and Joan Mitchell, Delacroix and Rubens. Terms such as Baroque, Ukiyo-e, Graffiti, Cubism, Degenerate Art, and De Stijl are explored and explained. Non-western traditions are given much greater prominence than in other art history books – Chinese, Indian, Australian Aboriginal, and African Art are all included in the timeline. Numerous women artists who were overlooked during the author’s own education are restored to the canon. Accompanying the unpretentious but authoritative texts are hundreds of illustrations, reproductions, timelines and sidebars.

There was no past, no future, no words, nothing – just the light and the yellow and the scent of dry leaves in the sun.

Japan’s internationally celebrated storyteller returns with five stories of healing and hope. Effortlessly beautiful, nostalgic and melancholy, the stories in Dead-End Memories explore the stories of five women who, following sudden and painful events, find solace in the blissful moments in everyday life.

The daughter of a restaurant owner experiences a budding romance, accompanied by the ghosts of an elderly couple. After a scandalous near-death experience, an editor gains a new lease of life. A woman seeks refuge in the apartment above her uncle’s bar after being betrayed by her fiance. As Yoshimoto’s gentle, effortless prose reminds us, one true miracle can be as simple as having someone to share a meal with, and happiness is always within us if only we take a moment to see it.

Available for the first time in English, these are the complete, uncensored diaries of Franz Kafka. This edition faithfully reconstructs handwritten notes and restores all the material omitted from previous publications. Spontaneous, unpolished, unruly, bizarre, often hilarious — now in a neat paperback. Perfect to dip in and out of. You can really contemplate a single entry for days.

Translator Ross Benjamin brings to light not only the author’s use of the diaries for literary invention and unsparing self-examination but also their value as a work of genius in and of themselves.

A playful guide to understanding the ways of ‘normal people’, The Autist’s Guide to the Galaxy flips our usual scripts about neurodiversity.

Following on from her internationally successful memoir, The Autists, Clara Tornvall has written a fun, comprehensive, and accessible explanation of neurotypical, or ‘normal’, behaviour. Full of facts, tips, and tests, and developed with input from other autists, this book places the difficulties autists face in the context of a world built for the neurotypical majority. It will help neurodiverse people – and their families, friends, and loved ones – navigate this world, nurture stronger relationships, and thrive.

‘Clara Tornvall’s cheeky, illuminating social manual The Autist’s Guide to the Galaxy turns the tables on autism conversations by focusing on how to engage with neurotypical people … Because articles about neurodiversity are often penned by non-autists – sometimes with the implicit directive to “help” those with diagnoses conform themselves more to the rest of the world – Swedish author, producer, and autist T rnvall steps in with lighthearted realism … With its tips to help autists thrive, The Autist’s Guide to the Galaxy is an encouraging, entertaining overview of common social challenges.’ –Forward

“I am not asking you to agree with me. In fact, I’d be happier if you didn’t. I am afraid of self-censorship in a place of supposed radicalism like a liberal arts school because I am afraid that one day we will all be too afraid of being wrong.”

We grew up on the internet, or the Internet, as it was originally known – a proper noun, a place to visit and explore, before we claimed it as everybody’s, turning it into a place where we pay bills, shop, fall in love, where kids get past parental controls to come of age. Honor Levy lends her experience to the narrators of these propulsive, provocative and pill-fuelled dispatches, speaking to the malleable reality we all inhabit, where clicks, codes, unreliable words and memes shape identities, personas and reputations.

In My First Book, Honor Levy endeavors to contextualize Gen-Z, a generation of young people desperate to discern what matters in a world that paints every event as a catastrophe. Irony is the salve of choice, and Levy deploys it masterfully. She paints the chasm in understanding between her parents’ generation and the Zoomer reality overloaded with niche signs and meanings.

‘THE EYES ARE THE BEST PART is an outstanding debut, a feminist horror novel that tackles big social issues and also delivers the gory origin story of a female serial killer.’ – NEW YORK TIMES

This literary feminist howl-of-a-debut is going to crawl right under your skin…

Ji-won’s life is in disarray. Her father’s affair has ripped her family to shreds, leaving her to piece their crappy lives back together.

So, when her mother’s obnoxious new white boyfriend enters the scene, bragging about his flawed knowledge of Korean culture and ogling Asian waitresses in restaurants, Ji-won’s hold over her emotions strains. As he gawks at her and her sister around their claustrophobic apartment, Ji-won becomes more and more obsessed with his brilliant blue eyeballs.

As her fixation and rage grow, Ji-won decides that she must do the one thing that will save her family… and also curb her cravings.