A Kind of Confession is a secret look into Alex Miller’s writing life, spanning sixty years of creativity and inspiration. As a young man in 1961 Miller left his work as a ringer in Queensland and set out to achieve his dream of becoming a serious novelist. It was not until 1988 that his first novel, Watching the Climbers on the Mountain, was published. Twelve more novels would follow, all bestsellers, many published internationally.

This selection from his notebooks and letters makes it exhilaratingly evident that Miller has been devoted to finding and telling stories that are profound, substantial and entertaining, stories that capture both intellect and emotion.

Miller’s fascinating life is told in a personal, behind-the-scenes exploration of his struggle to become a published writer, his determination, his methods of creative thought and the sources of his inspiration. His writing, sometimes in anger and despair, sometimes with humour and joy, whether created for publication or for private meditation, is alive with ideas, moral choices, commentary, encouragement, criticism and love.

A contemporary novel of daughterhood and motherhood, from the Booker Prize-winning Irish author

‘A magnificent novel’
SALLY ROONEY, author of NORMAL PEOPLE

‘Might just be her best yet’
LOUISE KENNEDY, author of TRESPASSES

‘Gem-packed language… A must-read’
MARGARET ATWOOD, author of THE HANDMAID’S TALE

Carmel had been alone all her life. The baby knew this. They looked at each other, and all of time was there. The baby knew how vast her mother’s loneliness had been.

Nell – funny, brave and so much loved – is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell’s leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel’s famous father, an Irish poet of beautiful words and brutal actions.

This is a meditation on love- spiritual, romantic, darkly sexual or genetic. A multigenerational novel that traces the inheritance not just of trauma but also of wonder, it is a testament to the glorious resilience of women in the face of promises false and true. Above all, it is an exploration of the love between mother and daughter – sometimes fierce, often painful, but always transcendent.

‘Unsparing and tender.’ Colm Tóibín, author of Brooklyn

‘A brilliant novel from our most brilliant of writers.’ Colum McCann, author of Apeirogon

‘A quietly stunning achievement.’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous

From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss, and the struggles and limitations of family life – how to live together and apart, and maybe even escape the marriage plot entirely.

April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house – and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.

April 5th, 2020: As the world goes into lockdown the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan circle each other warily, communicating mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts – and his secret Instagram life – for company.

April 5th, 2021: Emerging from the worst of the crisis, the family comes together to reckon with a new, very different reality – with what they’ve learned, what they’ve lost, and how they might go on.

Make room Herodotus, stand down Bede, pipe down Pepys there’s a new history book in town.

From the chart-topping podcast The Rest is History, a whistle-stop tour through the past from Alexander the Great to Tolkien, the Wars of the Roses to Watergate. The nation’s favourite historians Tom Holland and Dominic Sandbrook take on the most curious moments in history, answering the questions we didn’t even think to ask:
– Did the Trojan War actually happen?
– What was the most disastrous party in history?
– Was Richard Nixon more like Caligula or Claudius?
– How did a hair appointment almost blow Churchill’s cover?
– Why did the Nazis believe they were descended from Atlantis?

Whether it is sending historical figures to Casa Amor in a series of Love Island, ranking history’s most famous eunuchs and pigeons (including Winkie, the unsung hero of the Second World War), or debating the meaning of greatness, there is nothing too big or too small for Tom and Dominic to unpick.

So run your Egyptian milk bath, strap up your best Spartan sandals, and prepare for a journey down the highways and byways of the human past. . .

‘Essential reading’
AI WEIWEI, author of 1000 Years of Joys and Sorrows

‘Deserves to be read widely’
FINANCIAL TIMES

A Uyghur poet’s piercing memoir of life under the most coercive surveillance regime in history.

If you took an Uber in Washington DC a few years ago, there’s a chance your driver was one of the greatest living Uyghur poets, and one of only a handful from his minority Muslim community to escape the genocide being visited upon his homeland in western China.

A successful filmmaker, innovative poet and prominent intellectual, Tahir Hamut Izgil had long been acquainted with state surveillance and violence, having spent three years in a labour camp on fabricated charges.

But in 2017, the Chinese government’s repression of its Uyghur citizens assumed a terrifying new intensity- critics were silenced; conversations became hushed; passports were confiscated; and Uyghurs were forced to provide DNA samples and biometric data.

As Izgil’s friends disappeared one by one, it became clear that fleeing the country was his family’s only hope.

Escape to America spared Izgil’s family the internment camps that have swallowed over a million Uyghurs. It also allowed this rare personal testimony of the Xinjiang genocide to reach the wider world.

Waiting to Be Arrested at Night charts the ongoing destruction of a community and a way of life. It is a call for the world to awaken to a humanitarian catastrophe, an unforgettable story of courage, escape and survival, and a moving tribute to Izgil’s friends and fellow Uyghurs whose voices have been silenced.

‘Monumental and vividly imagined . . . a fitting tribute to a city that has survived, changed and grown for so many centuries’ Daily Telegraph

A cornucopia of fascinating details, every page revealing a new delight’  Paul Strathern, author of The Medici: Godfathers of the Renaissance

A city drawn in sand.

Inspired by the tales of Homer and his own ambitions of empire, Alexander the Great sketched the idea of a city onto the sparsely populated Egyptian coastline. He did not live to see Alexandria built, but his vision of a sparkling metropolis that celebrated learning and diversity was swiftly realised and still stands today.

Situated on the cusp of Africa, Europe and Asia, great civilisations met in Alexandria. Together, Greeks and Egyptians, Romans and Jews created a global knowledge capital of enormous influence: the inventive collaboration of its citizens shaped modern philosophy, science, religion and more. In pitched battles, later empires, from the Arabs and Ottomans to the French and British, laid claim to the city but its independent spirit endures.

In this sweeping biography of the great city, Islam Issa takes us on a journey across millennia, rich in big ideas, brutal tragedies and distinctive characters, from Cleopatra to Napoleon. From its humble origins to dizzy heights and present-day strife, Alexandria tells the gripping story of a city that has shaped our modern world.

‘A genuine once-in-a-generation writer.’ – The Times

‘Every word is the right word in the right place, and the effect is resonant and deeply moving.’ – Hilary Mantel

‘Claire Keegan makes her moments real – and then she makes them matter.’ – Colm Toibin

After an uneventful Friday at the Dublin office, Cathal faces into the long weekend and takes the bus home. There, his mind agitates over a woman named Sabine with whom he could have spent his life, had he acted differently. All evening, with only the television and a bottle of champagne for company, thoughts of this woman and others intrude – and the true significance of this particular date is revealed.

From one of the finest writers working today, Keegan’s new story asks if a lack of generosity might ruin what could be between men and women. Is it possible to love without sharing?

From Miles Franklin Award-winning author Amanda Lohrey comes a stunning literary foray into place, grief, and what makes a home.

The conversion was Nick’s idea.

Nick – so persuasive, ever the optimist, still boyishly handsome. Always on a quest to design the perfect environment, convinced it could heal a wounded soul.

The conversion was Nick’s idea, but it’s Zoe who’s here now, in a valley of old coalmines and new vineyards, working out how to live in a deconsecrated church.

What to do with all that vertical space, those oppressive stained-glass windows? Can a church become a home or, even with all its vestiges removed, will it remain forever what it was intended to be?

For Zoe, alone and troubled by a ghost from the recent past, the little church seems empty of the possibilities Nick enthused about. She is stuck in purgatory-until a determined young teacher pushes her way into Zoe’s life, convinced of her own peculiar mission for the building.

Melanie has something of Nick’s unquenchable zeal about her. And it’s clear to Zoe that she won’t take no for an answer.

The Conversion is a startling novel about the homes we live in- how we shape them, and how they shape us. Like Amanda Lohrey’s bestselling The Labyrinth, it is distinguished by its deep intelligence, eye for human drama and effortless readability.

A gripping reckoning with the bloody history of Australia’s frontier wars

David Marr was shocked to discover forebears who served with the brutal Native Police in the bloodiest years on the frontier. Killing for Country is the result – a soul-searching Australian history.

This is a richly detailed saga of politics and power in the colonial world – of land seized, fortunes made and lost, and the violence let loose as squatters and their allies fought for possession of the country – a war still unresolved in today’s Australia.

“This book is more than a personal reckoning with Marr’s forebears and their crimes. It is an account of an Australian war fought here in our own country, with names, dates, crimes, body counts and the ghastly, remorseless views of the ‘settlers’. Thank you, David.”-Marcia Langton

“Marr is one of the country’s most accomplished non-fiction writers. I was sometimes reminded of Robert Hughes’ study of convict transportation, The Fatal Shore (1987), in the epic quality of this book … Killing For Country is a timely exercise in truth-telling amid a disturbing resurgence of denialism.” -Frank Bongiorno, The Age

“Killing for Country … stands out for its unflinching eye, its dogged research, and the quality and power of its writing.” -Mark McKenna, Australian Book Review

“It’s a timely, vital story.” -Jason Steger, The Age

“The timing of this book is painfully exquisite and it demonstrates perfectly how little race politics have changed in Australia.” -Lucy Clark, The Guardian

The ultimate illustrated commemoration of iconic Australian musicians Archie Roach and Ruby Hunter in songs, stories, photographs and tributes.

Since he left us, Archie Roach’s legacy has continued to soar, like his totem animal from his mother’s ancestral lands, the wedge-tailed eagle. Archie’s songs stand as anthems for both the experience of dispossession and our shared humanity.

Songs from the Kitchen Table is a tribute to the power of Archie’s voice, and to the love of music he shared with his life partner and musical collaborator, Ruby Hunter. This beautiful, illustrated volume contains the lyrics to over one hundred of their songs, carefully curated by Archie’s manager and friend, Jill Shelton.

From Archie’s breathtaking early works, ‘Took the Children Away’ and ‘Charcoal Lane’, to the timeless classics ‘Tell Me Why’, Ruby’s ‘Down City Streets’, and Archie’s final masterpiece, ‘One Song’, the lyrics are accompanied by stories about their composition, rare photographs, original artwork, and heartfelt tributes to Archie and Ruby from those who knew and loved them.

With forewords by their long-time friends and musical collaborators, Emma Donovan, Paul Kelly and Jack Latimore, Songs from the Kitchen Table is a celebration of one of Australia’s great creative partnerships, and a testament to the ongoing power of plain-spoken truths.

Jono, a city-born Indigenous teenager is trying to figure out who he really is. Life in Brisbane hasn’t exactly made him feel connected to his Country or community. Luckily, he’s got his best friend, Jenny, who has been by his side through their hectic days at St Lucia Private.

After graduating, Jono and Jenny score gigs at the Aboriginal Performing Arts Centre and an incredible opportunity comes knocking — interning with a documentary crew. Their mission? To promote a big government mining project in the wild western Queensland desert. The catch? The details are sketchy, and the land is rumoured to be sacred. But who cares? Jono is stoked just to be part of something meaningful. Plus, he gets to be the lead presenter!

Life takes a turn when they land in Gambari, a tiny rural town far from the hustle and bustle of the city. Suddenly, Jono’s intuition becomes his best guide. He’s haunted by an eerie omen of death, battling suffocating panic attacks, and even experiencing visions of Wudun — a malevolent spirit from the Dreaming. What’s the real story behind the gas mining venture? Are the documentary crew hiding something from Jono? And could Wudun be a messenger from the land, fighting back against the invasion?

Borderland is a heart-pounding horror gothic that follows Jono on an epic quest to find himself in the face of unbelievable challenges. Graham Akhurst, the brilliant mind behind this coming-of-age gem, is a Fulbright scholar from the Kokomini of Northern Queensland. Brace yourself for a fresh, mind-bending tale exploring Indigenous identity, the impact of colonization, and what happens when you take a stand.

Age range 13+

A noted literary scholar traverses the Russian canon, exploring how realists, idealists, and revolutionaries debated good and evil, moral responsibility, and freedom.

Since the age of Tolstoy, Dostoevsky, and Chekhov, Russian literature has posed questions about good and evil, moral responsibility, and human freedom with a clarity and intensity found nowhere else. In this wide-ranging meditation, Gary Saul Morson delineates intellectual debates that have coursed through two centuries of Russian writing, as the greatest thinkers of the empire and then the Soviet Union enchanted readers with their idealism, philosophical insight, and revolutionary fervor.

Morson describes the Russian literary tradition as an argument between a radical intelligentsia that uncompromisingly followed ideology down the paths of revolution and violence, and writers who probed ever more deeply into the human condition. The debate concerned what Russians called “the accursed questions”: If there is no God, are good and evil merely human constructs? Should we look for life’s essence in ordinary or extreme conditions? Are individual minds best understood in terms of an overarching theory or, as Tolstoy thought, by tracing the “tiny alternations of consciousness”?

Exploring apologia for bloodshed, Morson adapts Mikhail Bakhtin’s concept of the non-alibi-the idea that one cannot escape or displace responsibility for one’s actions. And, throughout, Morson isolates a characteristic theme of Russian culture: how the aspiration to relieve profound suffering can lead to either heartfelt empathy or bloodthirsty tyranny. What emerges is a contest between unyielding dogmatism and open-minded dialogue, between heady certainty and a humble sense of wonder at the world’s elusive complexity-a thought-provoking journey into inescapable questions.

‘Gay has an ability to blend the personal and political in a way that feels simultaneously gentle and brutal . . . you look at a cultural moment through Gay’s eyes and, by the end, you see the world differently’ Arwa Mahdawi, Guardian

Since the publication of the groundbreaking Bad Feminist and Hunger, Roxane Gay has continued to tackle the big issues embroiling society – state-sponsored violence and mass shootings, women’s rights post-Dobbs, online disinformation, and the limits of empathy – alongside more individual matters: Can I tell my coworker her perfume makes me sneeze? Is it acceptable to schedule a daily eight a.m. meeting? In her role as a New York Times contributing opinion writer and the publication’s “Work Friend” columnist, she reaches millions of readers with her wise voice and sharp insights.

With an introduction in which Gay provides the connective tissues that link her groundbreaking writing, Opinions is a collection of Roxane Gay’s best nonfiction pieces from the past ten years, addressing a wide range of topics – politics, the culture wars, civil rights, celebrities, and much more. Offering nuanced analysis that never shies away from difficult topics, this sharp, thought-provoking anthology will delight Gay’s devotees and draw new readers to this inimitable talent.

‘This was utterly brilliant and satisfying. Yumi and the Nightmare Painter will be the best of the secret project novels, and it is easily one of Sanderson’s finest books in his career.’ – Novel Notions

From #1 New York Times bestselling author Brandon Sanderson – creator of The Stormlight Archive, the Mistborn Saga, and countless bestselling works of science fiction and fantasy – comes this gripping story set in the Cosmere universe told by Hoid, where two people from incredibly different cultures must work together to save their worlds from certain disaster.

Yumi has spent her entire life in strict obedience, granting her the power to summon the spirits that bestow vital aid upon her society – but she longs for even a single day as a normal person. Painter patrols the dark streets dreaming of being a hero – a goal that has led to nothing but heartache and isolation, leaving him always on the outside looking in. In their own ways, both of them face the world alone.

Suddenly flung together, Yumi and Painter must strive to right the wrongs in both their lives, reconciling their past and present while maintaining the precarious balance of each of their worlds. If they cannot unravel the mystery of what brought them together before it’s too late, they risk forever losing not only the bond growing between them, but the very worlds they’ve always struggled to protect.

Ginger. Honey. Cinnamon. Flour.

A drop of blood to bind its power.

1650: The Black Forest, Wurttemberg. Fifteen years after the witch in the gingerbread house, Greta and Hans are struggling to get by. Their father and stepmother are long dead, Hans is deeply in debt from gambling, and the countryside lies in ruin, its people recovering in the aftermath of a brutal war.

Greta has a secret, though: the witch’s grimoire, secreted away and whispering in her ear, and the recipe inside that makes the most sinfully delicious – and addictive – gingerbread. As long as she can bake, Greta can keep her small family afloat.

But in a village full of superstition, Greta and her intoxicating gingerbread is a source of ever-growing suspicion and vicious gossip.

And now, dark magic is returning to the woods and Greta’s own power – magic she is still trying to understand – may be the only thing that can save her …

If it doesn’t kill her first.

‘Bewitching historical fantasy … Woods is a powerful new voice in speculative fiction’ starred review, Publishers Weekly (US)

‘A dark and wondrous tale. Utterly enchanting’ Kate Forsyth, bestselling author of The Crimson Thread

‘Deliciously irresistible … A gorgeous debut that you’ll consume in one gulp’ Natasha Lester, New York Time bestselling author of The Three Lives of Alix St Pierre

Introducing an exciting new voice in Australian fiction, Molly Schmidt, winner of the 2022 City of Fremantle Hungerford Award. Salt River Road is a compelling coming-of-age novel about grief and healing set in a small town in the 1970s.

In the aftermath of their mother’s death, the Tetley siblings’ lives are falling apart. Left to fend for themselves as their family farm goes to ruins, Rose sets out to escape the grief and mess of home. When she meets Noongar Elders Patsy and Herbert, she finds herself drawn into a home where she has the chance to discover the strength of community, and to heal a wound her family has carried for a generation. Salt River Road is a poignant exploration of healing and resilience, small-town racism and the power of human connection.

‘This story retains an innocence and a sense of decency even as it glides through pain, love and complex politics. It’s refreshing, and open, and kind of tricky.’ Kim Scott

‘An amazing new talent.’ Brett D’Arcy