The witty new novel from this internationally acclaimed Polish author blends horror, folklore and feminist parable.

In September 1913, Mieczyslaw, a student suffering from tuberculosis, arrives at a health resort in what is now western Poland. Every day, its residents gather in the dining room to imbibe the hallucinogenic local liqueur, to obsess over money and status, and to discuss the great issues of the day – will there be war? Do devils exist? Are women inherently inferior?

But disturbing events are happening in the guesthouse and its surroundings. Someone-or something-seems to be infiltrating their world. As our student attempts to decipher the sinister forces at work, little does he realise they have already chosen their next target.

As in her acclaimed novel Drive Your Plow Over the Bones of the Dead, Tokarczuk blends horror story, comedy, folklore, and feminist parable with brilliant storytelling.

A brilliant exploration of freedom – what it is, how it’s been misunderstood, and why it’s our only chance for survival – by the acclaimed, bestselling author of On Tyranny.

Freedom is the great Western commitment, but we have lost sight of what it means – and this is leading us into crisis. Too many of us look at freedom as the absence of state power- we think we’re free if we can do and say as we please, and protect ourselves from government interference. But true freedom isn’t so much freedom from, as freedom to – the freedom to thrive, to take risks for futures we choose by working together. Freedom is the value that makes all other values possible.

Drawing on the work of philosophers and political dissidents, conversations with contemporary thinkers and his own experiences, Snyder identifies the practices and attitudes – the habits of mind – that will allow us to design a government in which we and future generations can flourish. We come to appreciate the importance of traditions but also the role of institutions. Intimate yet ambitious, this book helps forge a new consensus rooted in a politics of abundance, generosity and grace.

Snyder’s book On Tyranny has inspired millions around the world to fight for freedom; On Freedom helps us see exactly what we’re fighting for. It is a thrilling intellectual journey and a tour de force of political philosophy.

One of the staff’s most anticipated books of 2024! We have been LOVING this one…

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties – successful, competent and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women – his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.

For two grieving brothers and the people they love, this is a new interlude – a period of desire, despair and possibility – a chance to find out how much one life might hold inside itself without breaking.

“A canvas of vividly impressionistic splashes of growing up young, gifted, Black, and female.” ―The Philadelphia Inquirer

In this memoir of perceptions and ideas, renowned feminist intellectual bell hooks presents a stirringly intimate account of growing up in the South. Stitching together the gossamer threads of her girlhood memories, hooks shows us one strong-spirited child’s journey toward becoming a writer. Along the way, hooks sheds light on the vulnerability of children, the special unfurling of female creativity, and the imbalance of a society that confers marriage’s joys upon men and its silences on women. In a world where daughters and daddies are strangers under the same roof, and crying children are often given something to cry about, hooks uncovers the solace to be found in solitude, the comfort to be had in the good company of books.

Bone Black allows us to bear witness to the awakening of a legendary author’s awareness that writing is her most vital breath.

New edition introduced by Yomi Adegoke

“With the emotion of poetry, the narrative of a novel, and the truth of experience, bell hooks weaves a girlhood memoir you won’t be able to put down―or forget. Bone Black takes us into the cave of self-creation.” ―Gloria Steinem

Welcome to Rook Hall.

The stage is set. The players are ready. By night’s end, a murderer will be revealed.

Ex-detective Jackson Brodie is staving off a bad case of midlife malaise when he is called to a sleepy Yorkshire town, and the seemingly tedious matter of a stolen painting. But one theft leads to another, including the disappearance of a valuable Turner from Burton Makepeace, home to Lady Milton and her family. Once a magnificent country house, Burton Makepeace has now partially been converted into a hotel, hosting Murder Mystery weekends.

As paying guests, a vicar, an ex-army officer, impecunious aristocrats, and old friends converge, we are treated a fiendishly clever mystery; one that pays homage to the masters of the genre-from Agatha Christie to Dorothy Sayers.

Brilliantly inventive, with all of Atkinson’s signature wit, wordplay and narrative brio, Death at the Sign of the Rook may be Jackson Brodie’s most outrageous and memorable case yet.

From the gothic, magical halls of the Scholomance trilogy, through the realms next door to Spinning Silver and Uprooted, and the dragon-filled Temeraire series, this stunning collection takes us from fairy tale to fantasy, myth to history, and mystery to science fiction as we travel through Naomi Novik’s most beloved stories. Here, among many others, we encounter…

• A mushroom witch who learns that sometimes the worst thing in the Scholomance can be your roommate.
• The start of the Dragon Corps in ancient Rome, after Mark Antony hatches a dragon’s egg and bonds with the hatchling.
• A young bride in the middle ages who finds herself gambling with Death, for the highest of stakes.
• A delightful reimagining of Pride & Prejudice, in which Elizabeth Bennet captains a Longwing dragon.
• The first glimpse at the world of Abandon, the setting of Novik’s upcoming epic fantasy series-a deserted continent populated only by silent and enigmatic architectural mysteries.

Though the stories are vastly different, there is a unifying theme: wrestling with destiny, and the lengths some will go to find their own and fulfill its promise.

India is the forgotten heart of the ancient world…

For a millennium and a half, India was a confident exporter of its diverse civilisation, creating around it a vast empire of ideas. Indian art, religions, technology, astronomy, music, dance, literature, mathematics and mythology blazed a trail across the world, along a Golden Road that stretched from the Red Sea to the Pacific.

William Dalrymple draws from a lifetime of scholarship to highlight India’s oft-forgotten position as the heart of ancient Eurasia. For the first time, he gives a name to this spread of Indian ideas that transformed the world. From the largest Hindu temple in the world at Angkor Wat to the Buddhism of China, from the trade that helped fund the Roman Empire to the creation of the numerals we use today (including zero), India transformed the culture and technology of its ancient world and our world today as we know it.

When assembling my work, I assembled myself, laid out on an autopsy table (of sorts). And soft meteorites presented itself as three themes – art, death, and friendship.

In soft meteorites Nathan Shepherdson has installed a type of two-way valve that attaches the page to the flesh. Moments are emptied of words then refilled with fresh observations. The pulse quietly excludes standard angles for a free-form geometry that collects spiralling perspectives. He sings inside the silence he listens to. Meditations are a material. Sometimes lean and elegant, almost emaciated. At other times the complexities compound themselves under lingua-thermal pressure, moving very fast, jumping ship like a sailor who doesn’t even know if the ocean is still there. Wry smiles are laid out like the silver-plated cake forks inherited from your grandmother, tattered velvet a warm home for memories used only on special occasions. Memory and Memoriam are primary yet differentiated blocks by which Shepherdson’s body is drawn but not yet quartered. Elastic hands reach into holes that aren’t there to find the ones that are.

The counterbalance is in the mood and gestures Shepherdson creates, which invite and repel the chaos which parades unnoticed in its endless supply of costumes. The question mark, inverted, bristles added to its profiled dome sweeps it all away with thinking. Falling is the secondary purpose of any cliff small or large. Micro-shadows from dust disturbed form answers and shapes for capture and translation before they again settle into nothing.

Short stories from 25 emerging and established writers of Middle Eastern and North African origins, a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world.

“Provocative and subtle, nuanced and surprising, these stories demonstrate how this complicated and rich region might best be approached–through the power of literature.” –Viet Thanh Nguyen, author of The Committed

Stories from the Center of the World gathers new writing from the greater Middle East (or SWANA), a vast region that stretches from Southwest Asia, through the Middle East and Turkey, and across Northern Africa. The 25 authors included here come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco, to name some.

In “Asha and Haaji,” Hanif Kureishi takes up the cause of outsiders who become uprooted when war or disaster strikes and they flee for safe haven. In Nektaria Anastasiadou‘s “The Location of the Soul According to Benyamin Alhadeff,” two students in Istanbul from different classes — and religions that have often been at odds with one another — believe they can overcome all obstacles. MK Harb‘s story, “Counter Strike,” is about queer love among Beiruti adolescents; and Salar Abdoh‘s “The Long Walk of the Martyrs” invites us into the world of former militants, fighters who fought ISIS or Daesh in Iraq and Syria, who are having a hard time readjusting to civilian life. In “Eleazar,” Karim Kattan tells an unexpected Palestinian story in which the usual antagonists — Israeli occupation forces — are mostly absent, while another malevolent force seems to overtake an unsuspecting family. Omar El Akkad‘s “The Icarist” is a coming-of-age story about the underworld in which illegal immigrants are forced to live, and what happens when one dares to break away.

Contributors include: Salar Abdoh, Leila Aboulela, Farah Ahamed, Omar El Akkad, Sarah AlKahly-Mills, Nektaria Anastasiadou, Amany Kamal Eldin, Jordan Elgrably, Omar Foda, May Haddad, Danial Haghighi, Malu Halasa, MK Harb, Alireza Iranmehr, Karim Kattan, Hanif Kureishi, Ahmed Salah Al-Mahdi, Diary Marif, Tariq Mehmood, Sahar Mustafah, Mohammed Al-Naas, Ahmed Naji, Mai Al-Nakib, Abdellah Taia, and Natasha Tynes…

Shortlisted for the Fogarty Literary Award, this is a confronting and compelling read from the very first chapter.

When Briony first meets Ren, he is standing in the freezing sea at the edge of their tiny town.

Ren hasn’t been home for a decade but has returned to be with his dying father.

Briony won’t leave, hoping that Sarah, her missing sister, will one day reappear.

But Sarah and her friend Aria have been stranded on a desolate island far off the coast. The longer they’re trapped there, the less alone they seem.

How many secrets in this town have been swallowed by the brooding sea?

A millennial-turned-magical girl must combat climate change and credit card debt in this delightful, witty, and wildly imaginative ode to magical girl manga.

Twenty-nine, depressed, and drowning in credit card debt after losing her job during the pandemic, a millennial woman decides to end her troubles by jumping off Seoul’s Mapo Bridge.

But her suicide attempt is interrupted by a girl dressed all in white—her guardian angel. Ah Roa is a clairvoyant magical girl on a mission to find the greatest magical girl of all time. And our protagonist just may be that special someone.

But the young woman’s initial excitement turns to frustration when she learns being a magical girl in real life is much different than how it’s portrayed in stories. It isn’t just destiny—it’s work. Magical girls go to job fairs, join trade unions, attend classes. And for this magical girl there are no special powers and no great perks, and despite being magical, she still battles with low self-esteem. Her magic wand… is a credit card—which she must use to defeat a terrifying threat that isn’t a monster or an intergalactic war. It’s global climate change. Because magical girls need to think about sustainability, too.

Park Seolyeon reimagines classic fantasy tropes in a novel that explores real-world challenges that are both deeply personal and universal: the search for meaning and the desire to do good in a world that feels like it’s ending. A fun, fast-paced, and enchanting narrative that sparkles thanks to award-nominated translator Anton Hur, A Magical Girl Retires reminds us that we are all magical girls—that fighting evil by moonlight and winning love by daylight can be anyone’s game.

Almost everyone thinks they have one, but nobody knows what it is.

For thousands of years the soul was an ‘organ’, an entity, something that was part of all of us, that survived the death of the body and ventured to the underworld, or to heaven or hell.

The soul could be saved, condemned, tortured, bought.

And then, mysteriously, the ‘soul’ disappeared. The Enlightenment called it the ‘mind’. And today, neuroscientists demonstrate that the mind is the creation of the brain.

The ‘religious soul’ lives on, in the minds of the faithful, while the secular ‘soul’ means whatever you want it to mean.

In The Soul: A History of the Human Mind critically acclaimed historian Paul Ham embarks on a journey that has never been attempted- to restore the idea of the soul to the human story and to show how belief in, and beliefs arising from, the soul/mind have animated and driven the history of humankind.

The Soul is much more than a mesmerizing narrative and uniquely accessible way of explaining our story. It transforms our understanding of how history works. It persuasively demonstrates that the beliefs of the soul/mind are the engines of human history.

Imagine: it’s 1600 and you’ve lost your precious silver spoons – or perhaps your neighbour has stolen them. Or maybe your child has a fever. Or you’re facing trial. Or you’re looking for love. Or you’re hoping to escape a husband… What do you do?

In medieval and early modern Europe, your first port of call might very well have been cunning folk – practitioners of ‘service magic’. Neither feared (like witches), nor venerated (like saints), they were essential to everyday life, a ubiquitous presence in a time when the supernatural was surprisingly mundane. For people from all walks of life, practical magic was a cherished resource with which to navigate life’s many challenges.

In Tabitha Stanmore’s beguiling account, we meet lovelorn widows and dissolute nobles, selfless healers and renegade monks. We listen in on Queen Elizabeth I’s astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in bewildering times, buffeted by forces beyond their control; and as Stanmore reveals, their faith in magic has much to teach us about how we accommodate ourselves to the irrational in our allegedly enlightened lives today.

Told with warmth, wit and above all, empathy, these stories take us deep into people’s day-to-day lives- their hopes and desires, their fears and vulnerabilities. Charming in every sense of the word, Cunning Folk is an immersive reconstruction of a bygone world and a thought-provoking commentary on the beauty and bafflement of being human.

A wry, affectionate and thrilling return to the world of the author’s critically acclaimed Soon I Will Be Invincible

Dr Rick Tower is a mild-mannered English professor easing into middle-age at a New England college. Even his vices are unremarkable. But it wasn’t always like this. Not until they changed his name, altered his looks and told him- ‘pretend you were never different’.

Because, decades earlier after a very bad day at high school, he was committed to a secret government facility with three other kids, Cat, Jack and Stephanie, each special in their own way. Tested, tutored and trained, this extraordinary quartet were then told to save the world.

It was the best thing that ever happened to them. Until it became the worst.

Now, twenty years later, a mysterious disappearance means Tower must reunite with his former comrades. But while great power come might come with great responsibility, there’s little of that on display from any of them.

Combining compelling storytelling and fierce imagination with a rich cast of characters, Fight Me is a page-turning and distinctive thriller, a unique tale of good, evil and one man trying to do the right thing. Against impossible odds…

A joyful, rule-breaking experiment in biography, which celebrates ‘country life’ as a state of mind

1917. Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block.

1930. Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman’s cottage for sale on the Dorset coast.

1941. Rosamond Lehmann settles in a Berkshire village, seeking a lovers’ retreat, a refuge from war, and a means of becoming ‘a writer again’.

Rural Hours tells the story of three very different women, each of whom moved to the country and was forever changed by it.

We encounter them at quiet moments – pausing to look at an insect on the windowsill; jotting down a recipe; or digging for potatoes, dirt beneath their nails. Slowly, we start to see transformations unfold. Invigorated by new landscapes, and the daily trials and small pleasures of making homes, they emerge from long periods of creative uncertainty and private disappointment; they embark on new experiments in form, in feeling and in living. In the country, each woman finds her path- to convalescence and recovery; to sexual and political awakening; and, above all, to personal freedom and creative flourishing.

Graceful, fluid, and enriched by previously untouched archival material, Rural Hours is both a paean to the bravery and vision of three pioneering writers, and a passionate invitation to us all- to recognize the radical potential of domestic life and rural places, and find new enchantment in the routines and rituals of each day.

‘A stunning self-portrait of a woman trying to make sense of the misogyny and sexism she has faced throughout her life.’ – TIME Magazine

In early 2021, popular artist Anna Marie Tendler checked herself into a psychiatric hospital following a year of crippling anxiety, depression and self-harm. Over two weeks, she underwent myriad psychological tests, participated in numerous therapy sessions, connected with fellow patients and experienced profound breakthroughs, such as when a doctor noted, “There is a you inside that feels invisible to those looking at you from the outside.”

In Men Have Called Her Crazy, Tendler recounts her hospital experience as well as pivotal moments in her life that preceded and followed. This is a memoir that speaks to every woman who has been made to question her own sanity, doubt herself and her worth. Anna Marie Tendler’s powerful writing, insight and clarity enabled her to find a way out of the narratives that had been foisted on her since girlhood and create her own, new story. This beautiful and heartfelt book invites us to do the same.

This stunning literary self-portrait examines the unreasonable expectations and pressures women face in the 21st century. Yet overwhelming and despairing as that can feel, Tendler ultimately offers a message of hope. Early in her stay in the hospital, she says, “My wish for myself is that one day I’ll reach a place where I can face hardship without trying to destroy myself.” By the end of the book, she fulfils that wish.

Discover the six seasons of the Noongar calendar in English and Noongar with emerging First Nations talent Ebony Froome and Leanne Zilm.

Djinang Bonar takes readers through the seasons of the Noongar calendar, exploring different seasonal indicators to increase readers’ awareness of the environment around them and their knowledge of Noongar language. Noongar country is portrayed in spectacular detail with gorgeous illustrations of the plants and animals typically seen in each season of the year.

This is the perfect picture book for parents, carers, teachers and librarians to share insights into the six Noongar seasons and learn some Noongar language.

An exhilarating tale of twisted desire, histories and homes, and the unexpected shape of revenge.

It’s fifteen years since the Second World War and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the conflict is well and truly over. Living alone in her late mother’s country home, Isabel’s life is as it should be- led by routine and discipline. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel’s doorstep-as a guest, there to stay for the season…

Eva is Isabel’s antithesis – she sleeps late, wakes late, walks loudly through the house and touches things she shouldn’t. In response Isabel develops a fury-fuelled obsession, and when things start disappearing around the house – a spoon, a knife, a bowl – Isabel’s suspicions spiral out of control. In the sweltering heat of summer, Isabel’s desperate desire for order transforms into infatuation – leading to a discovery that unravels all she has ever known. The war might not be well and truly over after all, and neither Eva – nor the house – are what they seem.