‘Essential reading’
AI WEIWEI, author of 1000 Years of Joys and Sorrows

‘Deserves to be read widely’
FINANCIAL TIMES

A Uyghur poet’s piercing memoir of life under the most coercive surveillance regime in history.

If you took an Uber in Washington DC a few years ago, there’s a chance your driver was one of the greatest living Uyghur poets, and one of only a handful from his minority Muslim community to escape the genocide being visited upon his homeland in western China.

A successful filmmaker, innovative poet and prominent intellectual, Tahir Hamut Izgil had long been acquainted with state surveillance and violence, having spent three years in a labour camp on fabricated charges.

But in 2017, the Chinese government’s repression of its Uyghur citizens assumed a terrifying new intensity- critics were silenced; conversations became hushed; passports were confiscated; and Uyghurs were forced to provide DNA samples and biometric data.

As Izgil’s friends disappeared one by one, it became clear that fleeing the country was his family’s only hope.

Escape to America spared Izgil’s family the internment camps that have swallowed over a million Uyghurs. It also allowed this rare personal testimony of the Xinjiang genocide to reach the wider world.

Waiting to Be Arrested at Night charts the ongoing destruction of a community and a way of life. It is a call for the world to awaken to a humanitarian catastrophe, an unforgettable story of courage, escape and survival, and a moving tribute to Izgil’s friends and fellow Uyghurs whose voices have been silenced.

‘Monumental and vividly imagined . . . a fitting tribute to a city that has survived, changed and grown for so many centuries’ Daily Telegraph

A cornucopia of fascinating details, every page revealing a new delight’  Paul Strathern, author of The Medici: Godfathers of the Renaissance

A city drawn in sand.

Inspired by the tales of Homer and his own ambitions of empire, Alexander the Great sketched the idea of a city onto the sparsely populated Egyptian coastline. He did not live to see Alexandria built, but his vision of a sparkling metropolis that celebrated learning and diversity was swiftly realised and still stands today.

Situated on the cusp of Africa, Europe and Asia, great civilisations met in Alexandria. Together, Greeks and Egyptians, Romans and Jews created a global knowledge capital of enormous influence: the inventive collaboration of its citizens shaped modern philosophy, science, religion and more. In pitched battles, later empires, from the Arabs and Ottomans to the French and British, laid claim to the city but its independent spirit endures.

In this sweeping biography of the great city, Islam Issa takes us on a journey across millennia, rich in big ideas, brutal tragedies and distinctive characters, from Cleopatra to Napoleon. From its humble origins to dizzy heights and present-day strife, Alexandria tells the gripping story of a city that has shaped our modern world.

‘A genuine once-in-a-generation writer.’ – The Times

‘Every word is the right word in the right place, and the effect is resonant and deeply moving.’ – Hilary Mantel

‘Claire Keegan makes her moments real – and then she makes them matter.’ – Colm Toibin

After an uneventful Friday at the Dublin office, Cathal faces into the long weekend and takes the bus home. There, his mind agitates over a woman named Sabine with whom he could have spent his life, had he acted differently. All evening, with only the television and a bottle of champagne for company, thoughts of this woman and others intrude – and the true significance of this particular date is revealed.

From one of the finest writers working today, Keegan’s new story asks if a lack of generosity might ruin what could be between men and women. Is it possible to love without sharing?

From Miles Franklin Award-winning author Amanda Lohrey comes a stunning literary foray into place, grief, and what makes a home.

The conversion was Nick’s idea.

Nick – so persuasive, ever the optimist, still boyishly handsome. Always on a quest to design the perfect environment, convinced it could heal a wounded soul.

The conversion was Nick’s idea, but it’s Zoe who’s here now, in a valley of old coalmines and new vineyards, working out how to live in a deconsecrated church.

What to do with all that vertical space, those oppressive stained-glass windows? Can a church become a home or, even with all its vestiges removed, will it remain forever what it was intended to be?

For Zoe, alone and troubled by a ghost from the recent past, the little church seems empty of the possibilities Nick enthused about. She is stuck in purgatory-until a determined young teacher pushes her way into Zoe’s life, convinced of her own peculiar mission for the building.

Melanie has something of Nick’s unquenchable zeal about her. And it’s clear to Zoe that she won’t take no for an answer.

The Conversion is a startling novel about the homes we live in- how we shape them, and how they shape us. Like Amanda Lohrey’s bestselling The Labyrinth, it is distinguished by its deep intelligence, eye for human drama and effortless readability.

Stunningly illustrated, this biography of filmmaker David Lynch is published to coincide with the 45th anniversary of Eraserhead.

From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive — not forgetting the award-winning TV series Twin Peaks — David Lynch, pop culture icon, cult figure, film industry outsider and master filmmaker, has pushed the boundaries of cinematic storytelling. He is a true artist in a realm of pretenders — an American great — who can take his place alongside Jackson Pollack, Andy Warhol or Steven Spielberg.

This is a portrait of an enchanting presence: eminently reasonable yet driven, boyishly shy yet a towering force on set, an interviewee of rare clarity who never gives the game away. Lynch is quirky, there is no doubt about that, but it takes an ironclad determination to get any film made, let alone films so uniquely his own.

Ian Nathan, who lives and works in London, is one of the UK’s best-known film writers. He is the author of Stephen King at The Movies, two previous titles in the Retrospective series: Ridley Scott and James Cameron, and biographies of The Coen Brothers, Quentin Tarantino and Wes Anderson. He is the former editor and executive editor of Empire, the world’s biggest movie magazine, and also regularly contributes to The Times, Independent, Cahiers Du Cinema and the Discovering Film documentary series on Sky Arts.

‘Welcome to the past, present and future. I stand side-by-side with my great-grandfather, who I never met – two painters from the centre of this country, standing up and making our voices heard. I believe in the power of art, the power of the paintbrush. I know that art can change lives. It changed mine and I hope that art can change the world too.’

Vincent Namatjira is an astute observer of life, of power, of popular culture. To be in the presence of a Vincent Namatjira painting is like being on the edge of a portal into another world. From the first page of this monograph, Vincent takes us on a journey through his artwork, contextualising his iconic series on Indigenous soldiers, Indigenous leaders, power and the Royal Family, giving us an insight into his world view.

The book includes essays by Lisa Slade, Nici Cumpston and Gloria Strzelecki from AGSA, by Bruce Johnson McLean from NGA and by Vincent’s great friends and artistic collaborators Ben Quilty and Tony Albert but, most importantly, it is Vincent’s voice as much as his artwork that resonates in high definition on the page.

A gripping reckoning with the bloody history of Australia’s frontier wars

David Marr was shocked to discover forebears who served with the brutal Native Police in the bloodiest years on the frontier. Killing for Country is the result – a soul-searching Australian history.

This is a richly detailed saga of politics and power in the colonial world – of land seized, fortunes made and lost, and the violence let loose as squatters and their allies fought for possession of the country – a war still unresolved in today’s Australia.

“This book is more than a personal reckoning with Marr’s forebears and their crimes. It is an account of an Australian war fought here in our own country, with names, dates, crimes, body counts and the ghastly, remorseless views of the ‘settlers’. Thank you, David.”-Marcia Langton

“Marr is one of the country’s most accomplished non-fiction writers. I was sometimes reminded of Robert Hughes’ study of convict transportation, The Fatal Shore (1987), in the epic quality of this book … Killing For Country is a timely exercise in truth-telling amid a disturbing resurgence of denialism.” -Frank Bongiorno, The Age

“Killing for Country … stands out for its unflinching eye, its dogged research, and the quality and power of its writing.” -Mark McKenna, Australian Book Review

“It’s a timely, vital story.” -Jason Steger, The Age

“The timing of this book is painfully exquisite and it demonstrates perfectly how little race politics have changed in Australia.” -Lucy Clark, The Guardian

The ultimate illustrated commemoration of iconic Australian musicians Archie Roach and Ruby Hunter in songs, stories, photographs and tributes.

Since he left us, Archie Roach’s legacy has continued to soar, like his totem animal from his mother’s ancestral lands, the wedge-tailed eagle. Archie’s songs stand as anthems for both the experience of dispossession and our shared humanity.

Songs from the Kitchen Table is a tribute to the power of Archie’s voice, and to the love of music he shared with his life partner and musical collaborator, Ruby Hunter. This beautiful, illustrated volume contains the lyrics to over one hundred of their songs, carefully curated by Archie’s manager and friend, Jill Shelton.

From Archie’s breathtaking early works, ‘Took the Children Away’ and ‘Charcoal Lane’, to the timeless classics ‘Tell Me Why’, Ruby’s ‘Down City Streets’, and Archie’s final masterpiece, ‘One Song’, the lyrics are accompanied by stories about their composition, rare photographs, original artwork, and heartfelt tributes to Archie and Ruby from those who knew and loved them.

With forewords by their long-time friends and musical collaborators, Emma Donovan, Paul Kelly and Jack Latimore, Songs from the Kitchen Table is a celebration of one of Australia’s great creative partnerships, and a testament to the ongoing power of plain-spoken truths.

Jono, a city-born Indigenous teenager is trying to figure out who he really is. Life in Brisbane hasn’t exactly made him feel connected to his Country or community. Luckily, he’s got his best friend, Jenny, who has been by his side through their hectic days at St Lucia Private.

After graduating, Jono and Jenny score gigs at the Aboriginal Performing Arts Centre and an incredible opportunity comes knocking — interning with a documentary crew. Their mission? To promote a big government mining project in the wild western Queensland desert. The catch? The details are sketchy, and the land is rumoured to be sacred. But who cares? Jono is stoked just to be part of something meaningful. Plus, he gets to be the lead presenter!

Life takes a turn when they land in Gambari, a tiny rural town far from the hustle and bustle of the city. Suddenly, Jono’s intuition becomes his best guide. He’s haunted by an eerie omen of death, battling suffocating panic attacks, and even experiencing visions of Wudun — a malevolent spirit from the Dreaming. What’s the real story behind the gas mining venture? Are the documentary crew hiding something from Jono? And could Wudun be a messenger from the land, fighting back against the invasion?

Borderland is a heart-pounding horror gothic that follows Jono on an epic quest to find himself in the face of unbelievable challenges. Graham Akhurst, the brilliant mind behind this coming-of-age gem, is a Fulbright scholar from the Kokomini of Northern Queensland. Brace yourself for a fresh, mind-bending tale exploring Indigenous identity, the impact of colonization, and what happens when you take a stand.

Age range 13+

A darkly evocative compendium of images exploring natural, constructed, imaginary and subconscious underworlds, curated by renowned image collector and social media figure Stephen Ellcock.

From the burrows and secret bunkers beneath our feet to imagined hellscapes and surrealist dreamscapes, the disquieting, alarming and wonderful visuals span natural and constructed subterranea and imagined and subconscious worlds. A personal introduction by Stephen together with contextual chapter introductions establish the key themes, while supplementary texts elucidate essential concepts, historical events and figures. Thought-provoking literary, philosophical and spiritual quotations punctuate the intriguing images.

Together, the images and authoritative text highlight the interplay between the real and the imagined, revealing how the real has fed our fears and hopes and informed our imagination – and conversely, how our imagination has depicted the esoteric, the abject and the unknown.