The latest issue of Westerly, guest edited by Steve Kinnane, reminds readers of the power and importance of stories in maintaining and renewing culture. A celebration of Indigenous writing, 61.1 includes new writing across all genres and from a variety of known and little-known writers. Proud in its cover art by Bella Kelly, Westerly 61.1 asserts its place in Western Australian literary culture.
Notable contributions include Tara June Winch’s story ‘The Yield’, Kim Scott’s non-fiction piece ‘Both Hands Full’ and the poem ‘Sap Clot’ by Alison Whittaker ( Tender! Horror! // Thrice upon the shore comes the violence ). The Katinka Smit’s debut story ‘Behind the Line’ is similarly impressive in its portrayal of cultural ambivalence.
But in a way it is the personal stories of less well-known writers that point up the strengths of Indigenous voices and the personal challenges that have been surmounted. Two joyous vignettes by young boys from Mulan in the Tanami desert, Bella Kelly’s daughters recounting their mother’s life and art, and Doris Eaton’s ‘Giveaway’ story are three such examples.
Now in its 60th year, this latest Westerly must be among its most notable. A collection of stories, reviews and essays that reminds all readers that the west of Australia has a long indigenous past, a continuing present, and a future.