The Death of Bunny Munro
Nick Cave

Nick Cave brings his talent for exploring the more depraved parts of humanity while maintaining eloquence and a real talent for telling a story to his second novel The Death of Bunny Munro.

The Death of Bunny Munro tells the story of Bunny Munro, a beauty products salesman who travels the South Coast of England hawking his most definitely useless beauty products (he refers to this as “selling hope”) to lonely housewives.

Upon the sudden suicide of his wife he decides to take his son, Bunny Junior, on one final ride through England’s South Coast. I say one last ride because along with an all-consuming obsession with women and sex (especially Avril Lavinge) Bunny is carrying an intense anxiety and dread that soon his life will end.

This is a story of a bad man who was never meant to be a father, his heartbreakingly innocent son and his last ditch effort to outrun a monster he can’t comprehend. He describes it as his own death but we might get the impression he’s running from his own sins, his own guilt and in a tragically doomed way he’s trying to protect his son from a monster he can’t see nor understand.

I’ve always been impressed by writers who can make us sympathise with terrible people, (Cormac McCarthy with his novel Child of God springs to mind) it takes a real understanding of the complexities of people to translate that into writing. This novel could have so easily been, in another less talented authors hands, a trite, crass and shallow mess. But in the hands of a master storyteller like Nick Cave we’re left with a haunting, heart breaking, complex and tragic tale of a man desperate for redemption – even if he won’t admit it to himself.

The Rise of David Bowie
Mick Rock

In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter-ego: A glitter-clad, mascara-eyed, sexually-ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ’70s self-expression.

Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world’s biggest stars. A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer’s inner circle, and, between 1972–1973, worked as Bowie’s official photographer.

This limited and numbered edition brings together the best of Rock’s Bowie portfolio with spectacular stage shots as well as intimate backstage portraits. Pictures for press, album jackets, and stills from promo movies sit alongside around 50 percent previously unseen images, offering unprecedented access to the many facets of Bowie’s personality and his fame. The book’s hologram cover, composed of different head-shots, rejoices in Bowie’s fearless experimentation and unpredictability.

Through the aloof and approachable, the playful and serious, the candid and the contrived, this is a tribute bursting with the daring and energy of a unique star and his eternal inspiration.

Limited to a total of 1,972 numbered copies signed by David Bowie and Mick Rock, this book is available as Collector’s Edition (No. 201-1,972)

I always imagined that Paradise would be a kind of library.
Jorge Luis Borges
Crow Books
900 Albany Hwy, East Victoria Park
(08) 9472 9737
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